{"id":2127,"date":"2025-05-30T12:28:52","date_gmt":"2025-05-30T10:28:52","guid":{"rendered":"https:\/\/waldermartinez.com\/?page_id=2127"},"modified":"2026-05-06T04:12:36","modified_gmt":"2026-05-06T02:12:36","slug":"documentaries","status":"publish","type":"page","link":"https:\/\/waldermartinez.com\/es\/documentaries\/","title":{"rendered":"Documentaries"},"content":{"rendered":"
\n
\n
\n
\n
<\/div>\n<\/div>\n
\n
\n
\n
\n
\n
\n
\n
\n

\u201cFilm is sound and picture. But for me, sound is at least 50 percent, sometimes more.\u201d<\/span><\/h2>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

David Lynch, director of Mulholland Drive and Blue Velvet, known for his surreal audiovisual style.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n

As a sound editor for film, I\u2019ve always believed that the most powerful moments aren\u2019t always seen \u2014 they\u2019re felt.<\/span><\/h4>\n

Across decades, I\u2019ve learned to listen between the lines, finding the rhythm of silence and the music of emotion.<\/span><\/h4>\n

That\u2019s where stories come alive.<\/span><\/h4>\n

<\/span><\/h4>\n

Walder Martinez <\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n
\n
\n
\n
<\/div>\n<\/div>\n
\n
\n
\n
\n
\n
\n
\n
\n
\n
M\u00c1S RECIENTES<\/span><\/a><\/div>\n<\/div>\n<\/div>\n
\n
\n
PEL\u00cdCULAS EN PRIME VIDEO<\/span><\/a><\/div>\n<\/div>\n<\/div>\n
\n
\n
DRAMA \/ COMEDIA<\/span><\/a><\/div>\n<\/div>\n<\/div>\n
\n
\n
THRILLER \/ HORROR<\/span><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n
\n
\n
\n
<\/div>\n<\/div>\n
\n
\n
\n
\n

DOCUMENTALES<\/span><\/h3>\n<\/div>\n<\/div>\n<\/div>\n
\n
<\/div>\n<\/div>\n
\n
\n
\n
\n
\n
\"Cover<\/a><\/div>\n
\n
\n
<\/div>\n<\/div>\n
\n
\n
<\/div>\n
\n
\n
\n
<\/div>\n<\/div>\n
\n
\n
\n
\n
\n
\n

T\u00edtulo: <\/span>Perros del Fin del Mundo \/ Fireland Dogs<\/strong><\/p>\n

Director: <\/span>John Dickinson<\/strong><\/p>\n

Pa\u00eds: <\/span>Argentina<\/strong><\/p>\n

A\u00f1o: <\/span>2018<\/strong><\/p>\n

Mi rol: <\/span>Compositor \/ Supervisor musical \/ Mezclador musical<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\"Cover<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n

Perros del Fin del Mundo<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

Documentary – Argentina – 2018<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\"\"<\/div>\n<\/div>\n
\n
\n
\n

What counts is survival.<\/span><\/p>\n

Dogs turned into a threat are a metaphor for how life evolves, how man breaks a balance, and how in the course of his will, he forgets that nature is a powerful force.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

<\/p>\n

Sitio Oficial<\/strong><\/a><\/p>\n

IMDb<\/strong><\/a><\/p>\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\"\"<\/a><\/div>\n
\n
\n
<\/div>\n<\/div>\n
\n
\n
<\/div>\n
\n
\n
\n
<\/div>\n<\/div>\n
\n
\n
\n
\n
\n
\n

T\u00edtulo: <\/span>We Are Rivers<\/strong><\/p>\n

Director: <\/span>Graciela Cassel<\/strong><\/p>\n

Pa\u00eds: <\/span>Estados Unidos<\/strong><\/p>\n

A\u00f1o: <\/span>2024<\/strong><\/p>\n

Mi rol: <\/span>Dialogue Editor \/ Sound Editor<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\"\"<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n

We Are Rivers<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

Documentary – USA – 2024<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\"\"<\/div>\n<\/div>\n
\n
\n
\n

We Are Rivers, directed by Graciela Cassel, is a documentary short that explores the vital role of rivers in our ecosystem. Through stunning visuals and interviews, the film highlights the impact of pollution and climate change on New York\u2019s East River, urging the need for environmental protection.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

<\/p>\n

Sitio Oficial<\/strong><\/a><\/p>\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\"\"<\/a><\/div>\n
\n
\n
<\/div>\n<\/div>\n
\n
\n
<\/div>\n
\n
\n
\n
<\/div>\n<\/div>\n
\n
\n
\n
\n
\n
\n

T\u00edtulo: <\/span>Outside the Valley<\/strong><\/p>\n

Director: <\/span>Hunter Weeks<\/strong><\/p>\n

Pa\u00eds: <\/span>Estados Unidos<\/strong><\/p>\n

A\u00f1o: <\/span>2021<\/strong><\/p>\n

Mi rol: <\/span>Postproducci\u00f3n de audio completa<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\"\"<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n

Outside the Valley<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

Documentary – USA – 2021<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

Outside the Valley follows J. Ryan and Hunter as they travel to Portugal, Uruguay, New Zealand, and Mexico to learn about startup ecosystems outside of Silicon Valley. Told through the lives of founders who are trying to build great companies, coronavirus strikes and tests everyone\u2019s resolve.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

<\/p>\n

Sitio Oficial<\/strong><\/a><\/p>\n

<\/p>\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\"\"<\/a><\/div>\n
\n
\n
<\/div>\n<\/div>\n
\n
\n
<\/div>\n
\n
\n
\n
<\/div>\n<\/div>\n
\n
\n
\n
\n
\n
\n

T\u00edtulo: <\/span>Cargada de carbohidratos: una cultura que se muere por comer<\/strong><\/p>\n

Director: <\/span>Lathe Poland<\/strong><\/p>\n

Pa\u00eds: <\/span>Estados Unidos<\/strong><\/p>\n

A\u00f1o: <\/span>2014<\/strong><\/p>\n

Mi rol: <\/span>Doblaje al Espa\u00f1ol \/ Mezcla<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\"\"<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n

Carb-Loaded<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

Documentary – USA – 2014<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\"\"<\/div>\n<\/div>\n
\n
\n
\n

Carb-Loaded: A Culture Dying to Eat is a chronicle of the things it’s <\/span><\/p>\n

el escritor y director Lathe Poland se enter\u00f3 despu\u00e9s de que le diagnosticaran <\/span><\/p>\n

Diabetes tipo 2. Busc\u00f3 averiguar por qu\u00e9 se enferm\u00f3, porque \u00e9l <\/span><\/p>\n

didn’t fit the classic picture of an adult onset diabetes sufferer. He <\/span><\/p>\n

Aprendi\u00f3 r\u00e1pidamente que mucho de lo que sab\u00eda sobre alimentaci\u00f3n saludable se basaba<\/span><\/p>\n

sobre mitos o ciencia de hace cincuenta a\u00f1os. En la pel\u00edcula, investiga por qu\u00e9 <\/span><\/p>\n

La cultura gastron\u00f3mica moderna estadounidense nos est\u00e1 matando. \u00bfLa ventaja? Hay mucho <\/span><\/p>\n

que se puede hacer!<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

<\/p>\n

Sitio <\/strong><\/a>Oficial<\/strong><\/a><\/p>\n

IMDb<\/strong><\/a><\/p>\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\"\"<\/a><\/div>\n
\n
\n
<\/div>\n<\/div>\n
\n
\n
<\/div>\n
\n
\n
\n
<\/div>\n<\/div>\n
\n
\n
\n
\n
\n
\n

T\u00edtulo: <\/span>Off The Sofa: The Amazon<\/strong><\/p>\n

Director: <\/span>Simon Jaeger<\/strong><\/p>\n

Pa\u00eds: <\/span>Germany<\/strong><\/p>\n

A\u00f1o: <\/span>2024<\/strong><\/p>\n

Mi rol: <\/span>Compositor - Postproducci\u00f3n de audio completa<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\"\"<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n

Off The Sofa: The Amazon<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

Survival Reality Show – Germany – 2024<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

Have you ever sat on your sofa, watched a survival show, and thought \u201cI could do that better\u201d? Simon Jaeger from Munich was a Survival Expert\u2026 On the Sofa\u2026 <\/span><\/p>\n

That was until he embarked on a crazy extreme expedition into the depths of the Amazon. Six grueling long days and nights surrounded by Jaguars, spider<\/span><\/p>\n

monkeys, and bullet ants that can paralyze a human body not to mention the<\/span><\/p>\n

largest snake in the world the deadly anaconda. Lead by Survival Expert Domino Knausenberger, watch Simon get Off the Sofa, swapping his home comforts for the unpredictability of the jungle, thunderstorms, campfires, and wading in piranhas filled swamps. <\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

<\/p>\n

Oficial<\/strong><\/a><\/p>\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\"\"<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\"\"<\/a><\/div>\n
\n
\n
<\/div>\n<\/div>\n
\n
\n
<\/div>\n
\n
\n
\n
<\/div>\n<\/div>\n
\n
\n
\n
\n
\n
\n

T\u00edtulo: <\/span>Under One Flag<\/strong><\/p>\n

Director: <\/span>Matthew Fisher<\/strong><\/p>\n

Pa\u00eds: <\/span>Estados Unidos<\/strong><\/p>\n

A\u00f1o: <\/span>2021<\/strong><\/p>\n

Mi rol: <\/span>Compositor - Postproducci\u00f3n de audio completa<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\"\"<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n
\n

Under One Flag<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

Animated Documentary – USA – 2021<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n

Under One Flag <\/span>is an online education project. It tells the story of Filipino World <\/span>War II veterans and their advocates who, together, fought for decades for their rightful recognition and benefits from the U.S. government. The project features Under One Flag, an in-depth visual story, hours of oral histories, and classroom teaching resources. The Duty To Country project seeks to enshrine the stories and sacrifice of Filipino veterans in American History.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n

<\/p>\n

Sitio Oficial<\/strong><\/a><\/p>\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n